ROMAIN DE TIRTOFF, OR ERTE (1892-1990) HAND SIGNED, LIMITED EDITION, SILK SCREEN SERIGRAPH ON PAPER TITLED SUNRISE, 23.5IN x 29IN (60cm x 74cm)
ROMAIN DE TIRTOFF, OR ERTE (1892-1990) HAND SIGNED, LIMITED EDITION, SILK SCREEN SERIGRAPH ON PAPER TITLED SUNRISE, 23.5IN x 29IN (60cm x 74cm)
Inventory #: 25-708 - $1,500.00
Condition/Description: Hand signed, limited edition silk screen serigraph by celebrated Russian artist Romain De Tirtoff, more famously known as Erte (1892-1990). It is titled Sunrise, and it is embossed with golden foil stamping on the upper edge and on the butterfly. This piece was produced in 1984. It is had signed in pencil in the lower right corner. It is a limited edition, it being 65 of 300, and written in pencil in the lower left below the lady’s dress. It came from a Metro Washington DC estate. This actual piece measures 13inches x 21 inches. With frame, it measures 23.5 inches x 29 inches. It is single matted and framed under glass. FLAT RATE SHIPPING OF $100.00 WITH INSURANCE FOR THIS PIECE WITHIN THE CONTINENTAL UNITED STATES OF AMERICA. Flat rate shipping is billed separately after the invoice has been paid.
About The Artist: Romain Erte was born Romain de Tirtoff in St. Petersburg, Russia. The only son of an admiral in the Imperial Fleet, he was raised amidst Russia's social elite. Erté—Romain de Tirtoff—was born in Russia in 1892, and died at age 97 in 1990. His legendary career spanned nearly the entire length of his life. As a young boy, he was fascinated by the Persian miniatures he found in his father's library. These exotic, brightly patterned designs continued to be important to him and influenced the development of his style. He moved to Paris at the age of eighteen and took the name Erte, from the French pronunciation of his initials, R and T. In 1915 he began his long relationship with Harper's Bazaar, during which time he created over 240 covers for the magazine. His fashion designs also appeared in many other publications, making him one of the most widely recognized artists of the 1920s. In 1976 the French government awarded Erte the title of Officer of Arts and Letters, and in 1982 the Medaille de Vermeil de la Ville de Paris was bestowed upon him. His work is in many prominent museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Smithsonian Institution in Washington, D.C., and the Victoria and Albert Museum in London. The designs created by Erté during his long and illustrious life influenced not only the world of theatre, film and fashion, but an entire art movement as well. In 1912, Erté moved to Paris and his unique talent was immediately recognized by the city's most established couturiers. In 1915, he began an association with Harper's Bazaar by designing covers of each of their magazines for the next 22 years. The influence of his work as a result of the high visibility of this periodical influenced an entire art movement that was to become known as "Art Deco". At the age of 75, Erté was encouraged to embark on a new career and began to recreate the remarkable designs of his youth in bronze and serigraphy. The Art Deco movement was hence reborn. A lifetime of international success and recognition has ensured this unique artist's place in the annals of art history, and his original designs grace the permanent collections of prestigious museums throughout the world including New York's Metropolitan Museum of Art, Museum of Modern Art, the Smithsonian Institution and London's Victoria & Albert Museum. Erté is perhaps best remembered for the gloriously extravagant costumes and stage sets that he designed for the Folies-Bergère in Paris and George White's Scandals in New York, which exploit to the full his taste for the exotic and romantic, and his appreciation of the sinuous and lyrical human figure. As well as the music-hall, Erté also designed for the opera and the traditional theatre and spent a brief and not wholly satisfactory period in Hollywood in 1925, at the invitation of Louis B. Mayer, head of Metro-Goldwyn-Meyer. After a period of relative obscurity in the 1940s and 1950s, Erté's characteristic style found a new and enthusiastic market in the 1960s, and the artist responded to renewed demand by creating a series of colorful lithographic prints and sculpture. This luxuriously illustrated museum contains a rich and representative selection of images, drawn from throughout Erté's long and extraordinary productive career.