MARC CHAGALL (1887-1985) HAND SIGNED LITHOGRAPH TITLED LE CLOWN MUSCIEN, 18IN x 21IN WITH COA (46cm x 53cm)

Inventory #: 25-953 - $750.00

Marc Chagall (1887-1985) hand signed lithograph titled Le Clown Muscien. This piece is after the original which was painted in 1927. This piece was produced in 1977 in Paris, France and it is hand signed by the artist in black marker in the lower half of this piece. With frame, it measures 18 inches x 21 inches. This piece is double matted and framed under acrylic in a very ornate golden frame. This piece was acquired from a Virginia estate and it comes with a COA on the verso from Kenneth Laurence Galleries. FLAT RATE SHIPPING OF $25.00 WITH INSURANCE FOR THIS PIECE WITHIN THE CONTINENTAL UNITED STATES OF AMERICA. Flat rate shipping is billed separately after the invoice has been paid.

About the Artist: Marc Chagall was born in Vitebsk, Byelorussia to a poor Hassidic family. The eldest of nine children, he studied first in a heder before moving to a secular Russian school, where he began to display his artistic talent. With his mother's support, and despite his father's disapproval, Chagall pursued his interest in art, going to St. Petersburg in 1907 to study art with Leon Bakst. Influenced by contemporary Russian painting, Chagall's distinctive, child-like style, often centering on images from his childhood, began to emerge. From 1910 to 1914, Chagall lived in Paris, and there absorbed the works of the leading cubist, surrealist, and fauvist painters. It was during this period that Chagall painted some of his most famous paintings of the Jewish "shtetl" or village and developed the features that became recognizable trademarks of his art. Strong and often bright colors portray the world with a dreamlike, non-realistic simplicity, and the fusion of fantasy, religion, and nostalgia infuses his work with a joyous quality. Animals, workmen, lovers, and musicians populate his figures; the "fiddler on the roof" recurs frequently, often hovering within another scene. Chagall's work of this period displays the influence of contemporary French painting, but his style remains independent of any one school of art. He exhibited regularly in the Salon des Independents. In 1914, before the outbreak of World War I, Chagall held a one-man show in Berlin, exhibiting work dominated by Jewish images and personages.  During the war, he resided in Russia, and in 1917, endorsing the revolution, he was appointed Commissar for Fine Arts in Vitebsk and then director of the newly established Free Academy of Art. The Bolshevik authorities, however, frowned upon Chagall's style of art as too modern, and in 1922, Chagall left Russia, settling in France one year later. He lived there permanently except for the years 1941 - 1948 when, fleeing France during World War II, he resided in the United States. Chagall's horror over the Nazi rise to power is expressed in works depicting Jewish martyrs and Jewish refugees. In addition to images of the Hassidic world, Chagall's paintings are inspired by themes from the Bible. His fascination with the Bible culminated in a series of over 100 etchings illustrating the Bible, many of which incorporate elements from Jewish folklore and from religious life in Vitebsk. Chagall's other illustrations include works by Gogol, La Fontaine, Y. L. Peretz, and his autobiographical Ma Vie (1931; My Life 1960) and Chagall by Chagall (1979). Chagall painted with a variety of media, such as oils, watercolors, and gouaches. His work also expanded to other forms of art, including ceramics, mosaics, and stained glass. Among his most famous building decorations are the ceiling of the Opera House in Paris, murals at the New York Metropolitan Opera, a glass window at the United Nations, and decorations at the Vatican. Israel, which Chagall first visited in 1931 for the opening of the Tel Aviv Art Museum, is likewise endowed with some of Chagall's work, most notably the twelve stained glass windows at Hadassah Hospital and wall decorations at the Knesset. Chagall received many prizes and much recognition for his work.  He was also one of very few artists to exhibit work at the Louvre in their lifetime.